Marion Kellmann

Filmmaker

.. und der Sünder bereut (Heimatfilm)

experimental film

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Nominated for Best Experimental Film 2023
by German Film Critics Association

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Heimatfilm is a compilation movie using scenes from 50 films of the genre of Heimatfilm. Between the end of World War II and 1960 over 300 Heimatfilme were made. The genre experienced its heyday in West Germany during this time. The scheme of the films is simple: the plot typically consists of a love story that eventually arrives at a happy end, following a few misunderstandings and the appearance of a villain.

Heimatfilme divide people into the categories of good and bad. The crimes and conflicts shown are usually harmless cases of poaching or smuggling. The local authorities consist of forest rangers, doctors, pastors, and the like. Police and state authorities hardly ever appear. These are replaced by the intrinsic moral compass residing in regular townspeople, and the villain either repents or dies under unfortunate circumstances. At first glance, the Heimatfilm phenomenon seems quite easy to explain psychologically. After years of war, people deeply longed for an ideal world. The films present simple love stories set in unspoiled nature and a flourishing countryside offering an escape from reality and the conflicting memories of the recent past – far from the ruined cities. Recollections of the Third Reich are completely left aside. Yet the Heimatfilm is not an invention of the late 1940s or 50s, but rather closely related in terms of content and motifs to the mountain films of the 1920s as well as the “blood and soil” films of the Third Reich. That is why films from the 30s and 40s are also interwoven into the compilation movie.

The plot of Heimatfilm follows the classic pattern of the love stories of this genre. The film focuses on the typical characters and themes. Side plots are avoided. The film’s characters are portrayed by various performers. Similar scenes appear again and again with minimal changes and are maintained and carried on by the different protagonists. By repeating similar scenes and gestures as well as merging the Heimatfilme into their unvarnished plot, the genre’s essence is revealed and condensed into a stereotype.

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screenings:

Internationale Kurzfilmtage Oberhausen 2023
Germany, Official Selection
World Premiere

London Short Film Fest, London 2024
UK, Official Selection,  International Premiere


Thomas Edison Film Festival,
2024 USA
Official Selection, Jury’s Choice Award

Landshut Shortfilm Festival 2024, 
Official Selection, Landshut, Germany

Filmkunstfest MV 2024,
Schwerin, Germany

Curta Cinema, Rio de Janeiro
International Short Film Festival 2024,
Rio de Janeiro, Brazil

Ibizacinefest, Ibiza 2024

Spain, Official Selection

Filmfest Dresden 2024
Germany, Official Selection

Flickers’ Rhode Island International Film Festival 2024,
Providence and Newport, Rhode Island, USA

 
 
 
 
 
 
 

 
Snowdance Independent Film Festival 2024
Essen, Germany

Filmschauplätze NRW 

Bamberger Kurzfilmtage 2024 

Bamberg, Germany

Regensburger Kurzfilmtage 2024
Regensburg, Germany

L’Europe autour de l’Europe 2024
Paris, France

San Antonio Independent Film Festival 2024, 
San Antonio de Ibarra, Ecuador

AVIFF Art Film Festival 2024,
Marseille, France

Biennale Bavaria,
Neuer Heimatfilm Unterwegs 2024

17. Musikfilmtage Oberaudorf 2024

 29. OpenEyes Filmfest 2024,
Marburg Germany

Filmfest Weiterstadt 2024

 Montenegro Film Festival 2024,
Herceg Novi, Montenegro

Bolton International Film Festival 2024,
Bolton, UK

 

Ekstase

experimental film

“Ekstase” is a montage of scenes from various silent films. Based on similar settings and gestures it explores the stereotype of women on the verge of insanity. In a repetitive montage the same symptoms and actions recur repeatedly in different places, different sceneries and with different people. In the beginning there is a tranquil montage of women sleeping. Waking up they realize in despair that they are captives in their bedrooms. An outburst of rage results in sudden weakness, and men rush to help them. The women are then carried away and are treated through hypnosis and suggestion. This is followed by an attack of hysteria, similar to the ones that are captured in Charcot`s „Iconographie photographique de la Salpêtrière“. This collection of photographs had also been the starting point for Marion Kellmann’s research in various European film archives.
At the end of the 19th century neurological science looked to find a key to hysteria and ways for the classification of this phenomenon. Jean-Martin Charcot, chief of the Salpêtrière clinic in Paris, became an expert of high renown in this field. He claimed that the hysteric woman would be the man-machine, once described by the physician and philosopher La Mettrie. Charcot believed that every hysteric attack followed a structure of four different phases that could be provoked and repeated through suggestion and hypnosis. In order to prove this he decided to let his patients and their attacks be photographed which resulted in the „Iconographie photographique de la Salpêtrière“. Charcot presented himself as the director of this spectacle. The images of the women who
obeyed his rules like actresses became famous across the globe.
At the turn of the century hysteria had become a fashionable disease. Its symptoms could be in found in various art forms, but especially in silent films. „Ekstase“ mirrors the genesis of hysteria. Looked at it from today, the view of women’s mental state has its comical side as well. The film’s montage suggests that the spectacle of the emotionally unstable women seems to be automated and controllable. The manipulation becomes visible and the diagnosis turns against itself.

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screenings/awards:

 

Festival L’Europe autour de l’Europe / Europe by Europe,
Paris, France

Hammer Kurzfilmnächte,
Hamm, Germany

Istanbul Experimental,
Istanbul, Turkey

Experimental Superstars,
Novi Sad, Serbia

SorsiCorti 2021,
Palermo, Italy, Official selection

National Gallery of Arts, Washington, US
in the series virtual cinema 2021

POW Filmfest,
Portland, Oregon, US

Minikino Film Week 7 – Bali International Short Film Festival,
Indonesia, Official selection

International Kansk Video Festival,
Russia/Siberia, Official selection

International Women Film Festival 2021,
Beirut, Lebanon, Official selection

AVIFF Cannes 2021 Art Film Festival,
France, Official selection

International shortfilmweek Regensburg
Regensburg, Official Selection

Flensburger Kurzfilmtage 2021, Kurzfilm Streifzug

Cinequest film & creativity festival 2021
San Jose, CA, USA

Toronto International Women Film Festival
Toronto, Canada

Blowup Film Fest,
Chicago International Arthouse Film Festival 2021
Chicago, USA

Taos Shortz Film Festival 2021
Questa, New Mexico, USA

40th Annual Thomas Edison Black Maria Film Festival Collection – 2021
Hoboken, United States, Jury’s choice award

 

 

 

SNOWDANCE Independent Film Festival  2021
Landsberg, Germany, Official Selection

33th Minimalen Kortfilmfestival 2021
Norway, Official Selection

18th Bogoshorts – Bogotá Shortfilmfestival 2020
Columbia, Official Selection

30th Festival Internacional De Curtas Do Rio De Janeiro –
Curta Cinema 2020
Brazil, Official Selection

Nottingham International Film Festival 2020
United Kingdom, Official Selection

17th Syracuse International Film Festival 2020
United States, Official Selection

shnit Worldwide Shortfilmfestival
Official Selection
 
Filmzeit Kaufbeuren 2020
Germany, Official Selection
 
39th Uppsala Short Film Festival 2020
Sweden, Official Selection
 
47th Film Fest Gent 2020
Belgium, Official Selection
 
18th Tirana International Film Festival 2020
Albania, Video Art & Experimental Competition
 
Cinefem 2020
Uruguay, Official Selection
 
Lady Filmmakers Festival 2020

United States, Official Selection

Flickers’ Rhode Island International Film Festival 2020
United States, Official Selection
 
Filmfest Dresden 2020
Germany, Official Selection
 
Glasgow Short Film Festival 2020
United Kingdom, International Premiere, Official Selection
 
Backup and Beyond Film and Media Art Festival 2019
Germany, Best Experimental Film
 

35th Interfilm International Short Film Festival Berlin 2019
Germany, Official Selection,
World Premiere

Die siderische Nacht

experimental film

Die siderische Nacht

When the earth ceased to turn on its own axis one side lost its sunlight.
As no one knew how the planet might be set in motion again
people lived in darkness. One day, a man found out how the sun’s light could be replaced.

 

I am glad if I am happy

documentary

TÓT_PICTURE_2

In his work, from the early ‘70s until today, Endre Tót questions not only the communistic system of the East, but also capitalism in the West. He takes an ironical stance against every form of prescribed happiness. In this the artist’s point of view is autobiographically informed. Tót, whose works are to be found in the most important collections of the world, is a witness of his time. The film “ENDRE TÓT – I’m glad if I’m happy” is a complex portrait, presented through conversations with the artist on the basis of his work and through original film documentation of his actions. At the centre of the film is Art Informel in Hungary, navigating border restrictions through mail art, the internationality of conceptual art & Fluxus and the philosophy of absence. The film accompanies the artist, who grew old and famous in exile, through his actions and in his neighbourhood in Cologne.

Trinkhallen

experimental documentary

kiosk

31 german Kiosks are shown in tableau like images,
capturing moments in the area of the Ruhrgebiet.
Each Kiosk is shot from a static point of view. The lengths of
the single takes are given by the Bolexcamera’s manual wind
up mechanism. The soundtrack of the film is an extracted
accoustic description of the locations.

Die Umschulung

fictional documentary

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Science fiction or reality?
A film team accompanies a perpetually unemployed man while
he participates in an occupational retraining as a cartoon figure.
It could be his last one…

Im Verleih Interfilm Berlin 

Contact

info :: marionkellmann.de